The 30 equal division divides the octave into 30 equal steps of precisely 40 cents each. Its patent val is a doubled version of the patent val for 15edo through the 11-limit, so 30 can be viewed as a contorted version of 15. In the 13-limit it supplies the optimal patent val for quindecic temperament.
However, 5\30 is 200 cents, which is a good (and familiar) approximation for 9/8, and hence 30 can be viewed inconsistently, as having a 9' at 95\30 as well as a 9 at 96\30. Instead of the 18\30 fifth of 720 cents, 30 also makes available a 17\30 fifth of 680 cents. This is an ideal tuning for pelogic (5-limit mavila), which tempers out 135/128. When 30 is used for pelogic, 5\30 can again be used inconsistently as a 9/8.
However, 5\30 is 200 cents, which is a good (and familiar) approximation for 9/8, and hence 30 can be viewed inconsistently, as having a 9' at 95\30 as well as a 9 at 96\30. Instead of the 18\30 fifth of 720 cents, 30 also makes available a 17\30 fifth of 680 cents. This is an ideal tuning for pelogic (5-limit mavila), which tempers out 135/128. When 30 is used for pelogic, 5\30 can again be used inconsistently as a 9/8.
Below is a plot of the Z function around 30:
Intervals
Commas
30 EDO tempers out the following commas. (Note: This assumes the val < 30 48 70 84 104 111 | .)Music
Fifteen Short Pieces by Todd Harrop